Post by Alexander L. Kendall on Apr 18, 2006 21:07:25 GMT -5
(00:28:13) Destructions Heir
-=Sámmael §æ'räphëx=-
I am just a worthless liar
I am just an imbecile
I will only complicate you
Trust in me and fall as well
[ Spar Pitt ]
says to . Scáth Dóiteáin . .." ".. F... ;
: his eyes narrow as he remembers the code of Bushido. One strike is generally all thats needed. The idea of a Samurai's swordplay is to decieve.. (action one) He bolts towards you, weapons held at the ready, the idea is to catch you somewhat off balance by the sudden movement, however that isnt entirely his intentions.. His footwork is percise, as if every step is calcuated for one purpose, scoring that one hit that will kill you.. Before he gets close enough to you that you could use that blade of yours, he (action 2) makes it look as though he were going to swing at you with his left sword, even moves it in a small arch towards you but at that same moment he lunges forward with the outstretched right hand blade in a sneak attack directed towards your face. Just after the blade makes its move towards your face, he then follows through with his left hand (action three) and brings his sword to slash low in a wave that would attempt to strike from your right knee up to your chest. He knows that you might be able to block one move, but its unlikely and highly improbably that you could block both.. (hopes this is right, weird system..lol)
..•†•.. Faye §æ'räphëx ..•†•..
| I embrace my desire to | feel the rhythm | to feel connected |
| enough to step aside and weep like a widow | to feel inspired | to fathom the power |
| to witness the beauty | to bathe in the fountain |
| to swing on the spiral of our divinity |
[ Spar Pitt ]
says to Destructions Heir-=Sámmael §... ;
: (i feel ya its a bit wierd) she waits until you are just about to make contact with her...every movement is studied..watching your body for muscle movement that would betray you in any manner....as your left sword starts its way to strike her she moves dropping downlow..her right hand clutching the ground she spins pushing her weight foward her back foot moving to hit you in a low sweep aimed for your knee (A1) moving in a quick fluid motion using the cintrificle (sp) force finishing the spin though missing you second sword swip though not completly it hits her cheek slicing it open blood spilling out rising from her crouch bringing her left hand up still clutching the sheeth of her weapon using it as a brace in a way...bringing her fist up aiiming for your left kidney (A2) her right hand bringing the kitana up so the edge is facing you in plan to slice you strait up the belly upon contact (A3) [has no idea if this is right...attempts to brush off all the rust here]
says to . Scáth Dóiteáin . .." ".. F... ;
: the trip f**ked up his whole move.. he was off balance from the entire lung which he would of had to spring to step away from, however it comes as an advantage all its own. He lets the trip hit him and (action 1) rolls with it. It voids the other swipe he tries to hit you with, however it comes to his advantage. As he falls, he rolls out of the way, dodging both of your other moves. He springs to his feet(action 2) as the tail end of your upward slash leaves you off balance. From a crouch, an attack like that would leave you INSANELY open an comes forward(action 2) and swings both blades at you simultaniously..one at your exposed stomach and one slighty past it. You wouldnt have a chance to parry a blow like that unless you wanted to risk falling over, the second strike geared to take advantage of just that occurance just incase...
says to Destructions Heir-=Sámmael §... ;
: so...she steps trhough her attept to cut you leaving her off balence yes but not so much to see you. rolling out of the way to the left....leaving you at her side...watching you from the corner of her eye as you move back up to your feet ....both swords moving to trap her between their snair...there is only truely 2 options...up or down.....she chooses down...her form moving fast leaning back going all nifty matrix styyle..though loosing her footing she hits the ground hard in attempt to avoid you weapons (A1) [i'll let you decide damage if any]....flat on her back now your swords would have now criss crossed...leaving her sheeth on the ground she moves back up in a crouch (A2)..pulling her Wakizashi from its sheeth behind her back sending it wizzing through the air in a direct course with your chest [im not sure if that is two actions or not i picture it as a fluid motion i could be very wrong though]
says to . Scáth Dóiteáin . .." ".. F... ;
: the right blade would of sank into your chest, yet another anticpated move hence why he did it. It wouldnt of been more then a painfail grazing however.. There is one problem with your move.. even tho his blades are crossed, your throw would be highly inacurate due to the pain in your stomach and the whole movement with being thrown from behind the back. (action one) he keeps his blades crossed across his chest and simply sidesteps the projectile, uncrossing his blades as he closes in on you. (action 2) he then takes advantage of yet another crouching position that your in and swings at you from the right with the much heavier right handed sword, however as the blade comes across you he releases it after it moves past and brings the right handed sword up over his head in a kendo strike.. This all happens quickly, heavily calculated.. You have two options. Move out of the way of the slash, but considering your already off balance he would assume the most that would happen there would be you falling again, and the second option would be to parry, again would throw you further off balance.. move towards him and your cut in half.. after he releases the first blade, the second strike comes instantly (action 3) an overhead greatstrike designed to cleave your body in two from over head.. in the advent that you parry (which would cause you to fall over by the force) or fall backwards or to the sides, this is gonna get you he would assume..or he would hope.. regardless this is a heavy force hit coming straight down for your head..
says to Destructions Heir-=Sámmael §... ;
: As Faye would now be in a crouching position your first swipe at her she pushes keeping low dropping her knee spinning left with the swipe of your sword behind her as it would catch her back.then you drop it near her...taking significant damage in this fight a deep slash across her back attempting to drown out the pain in her back....(A1)...her sword also moving with her spinning as she is now to your side her sword comes around at her chest level which should cleave right through your right knee if placed right....and since she is now at your side...your finishing strike that was ment for her (if i read this right) if she was standing infront of you...but no....she would take out your leg dropping you down....her sword repositioning in her hand ....rising...bringing the sword up...in a violent slash from navel to neck using her motion to stand as force behind her attempt to cut you open once more(A3)
Final Score - Sam-13 Faye- 11
-=Sámmael §æ'räphëx=-
I am just a worthless liar
I am just an imbecile
I will only complicate you
Trust in me and fall as well
[ Spar Pitt ]
says to . Scáth Dóiteáin . .." ".. F... ;
: his eyes narrow as he remembers the code of Bushido. One strike is generally all thats needed. The idea of a Samurai's swordplay is to decieve.. (action one) He bolts towards you, weapons held at the ready, the idea is to catch you somewhat off balance by the sudden movement, however that isnt entirely his intentions.. His footwork is percise, as if every step is calcuated for one purpose, scoring that one hit that will kill you.. Before he gets close enough to you that you could use that blade of yours, he (action 2) makes it look as though he were going to swing at you with his left sword, even moves it in a small arch towards you but at that same moment he lunges forward with the outstretched right hand blade in a sneak attack directed towards your face. Just after the blade makes its move towards your face, he then follows through with his left hand (action three) and brings his sword to slash low in a wave that would attempt to strike from your right knee up to your chest. He knows that you might be able to block one move, but its unlikely and highly improbably that you could block both.. (hopes this is right, weird system..lol)
..•†•.. Faye §æ'räphëx ..•†•..
| I embrace my desire to | feel the rhythm | to feel connected |
| enough to step aside and weep like a widow | to feel inspired | to fathom the power |
| to witness the beauty | to bathe in the fountain |
| to swing on the spiral of our divinity |
[ Spar Pitt ]
says to Destructions Heir-=Sámmael §... ;
: (i feel ya its a bit wierd) she waits until you are just about to make contact with her...every movement is studied..watching your body for muscle movement that would betray you in any manner....as your left sword starts its way to strike her she moves dropping downlow..her right hand clutching the ground she spins pushing her weight foward her back foot moving to hit you in a low sweep aimed for your knee (A1) moving in a quick fluid motion using the cintrificle (sp) force finishing the spin though missing you second sword swip though not completly it hits her cheek slicing it open blood spilling out rising from her crouch bringing her left hand up still clutching the sheeth of her weapon using it as a brace in a way...bringing her fist up aiiming for your left kidney (A2) her right hand bringing the kitana up so the edge is facing you in plan to slice you strait up the belly upon contact (A3) [has no idea if this is right...attempts to brush off all the rust here]
says to . Scáth Dóiteáin . .." ".. F... ;
: the trip f**ked up his whole move.. he was off balance from the entire lung which he would of had to spring to step away from, however it comes as an advantage all its own. He lets the trip hit him and (action 1) rolls with it. It voids the other swipe he tries to hit you with, however it comes to his advantage. As he falls, he rolls out of the way, dodging both of your other moves. He springs to his feet(action 2) as the tail end of your upward slash leaves you off balance. From a crouch, an attack like that would leave you INSANELY open an comes forward(action 2) and swings both blades at you simultaniously..one at your exposed stomach and one slighty past it. You wouldnt have a chance to parry a blow like that unless you wanted to risk falling over, the second strike geared to take advantage of just that occurance just incase...
says to Destructions Heir-=Sámmael §... ;
: so...she steps trhough her attept to cut you leaving her off balence yes but not so much to see you. rolling out of the way to the left....leaving you at her side...watching you from the corner of her eye as you move back up to your feet ....both swords moving to trap her between their snair...there is only truely 2 options...up or down.....she chooses down...her form moving fast leaning back going all nifty matrix styyle..though loosing her footing she hits the ground hard in attempt to avoid you weapons (A1) [i'll let you decide damage if any]....flat on her back now your swords would have now criss crossed...leaving her sheeth on the ground she moves back up in a crouch (A2)..pulling her Wakizashi from its sheeth behind her back sending it wizzing through the air in a direct course with your chest [im not sure if that is two actions or not i picture it as a fluid motion i could be very wrong though]
says to . Scáth Dóiteáin . .." ".. F... ;
: the right blade would of sank into your chest, yet another anticpated move hence why he did it. It wouldnt of been more then a painfail grazing however.. There is one problem with your move.. even tho his blades are crossed, your throw would be highly inacurate due to the pain in your stomach and the whole movement with being thrown from behind the back. (action one) he keeps his blades crossed across his chest and simply sidesteps the projectile, uncrossing his blades as he closes in on you. (action 2) he then takes advantage of yet another crouching position that your in and swings at you from the right with the much heavier right handed sword, however as the blade comes across you he releases it after it moves past and brings the right handed sword up over his head in a kendo strike.. This all happens quickly, heavily calculated.. You have two options. Move out of the way of the slash, but considering your already off balance he would assume the most that would happen there would be you falling again, and the second option would be to parry, again would throw you further off balance.. move towards him and your cut in half.. after he releases the first blade, the second strike comes instantly (action 3) an overhead greatstrike designed to cleave your body in two from over head.. in the advent that you parry (which would cause you to fall over by the force) or fall backwards or to the sides, this is gonna get you he would assume..or he would hope.. regardless this is a heavy force hit coming straight down for your head..
says to Destructions Heir-=Sámmael §... ;
: As Faye would now be in a crouching position your first swipe at her she pushes keeping low dropping her knee spinning left with the swipe of your sword behind her as it would catch her back.then you drop it near her...taking significant damage in this fight a deep slash across her back attempting to drown out the pain in her back....(A1)...her sword also moving with her spinning as she is now to your side her sword comes around at her chest level which should cleave right through your right knee if placed right....and since she is now at your side...your finishing strike that was ment for her (if i read this right) if she was standing infront of you...but no....she would take out your leg dropping you down....her sword repositioning in her hand ....rising...bringing the sword up...in a violent slash from navel to neck using her motion to stand as force behind her attempt to cut you open once more(A3)
Final Score - Sam-13 Faye- 11